Legendary Portland artist Jesse Reno joins Salvia Darling to discuss the tragic events that led to third degree burns and thousands of dollars of property damage, as well as his feelings on fire, rocks, and aluminum cans. Reno’s artwork will be on display at The Goodfoot throughout the month of July 2011.
Folks we just got news that the Pacific Art Collective from San Jose California has been operating under an assumed identity. Not only have they been secretly conspiring with the Soviet Government about a possible world wide artistic over throw but they have also been selling artwork at unbeatable low prices…. Ladies and Gentlemen we have not seen deals like this since Portland’s own Outrageous Audio started slashing prices on Car stereos and equipment. If you’re in the San Francisco area just before Christmas (and you don’t have to tell us why) then stop by the Brief Space show at the Metreon and get some work for a friend, a family member or just treat yourself to some fantastic art by artists from all over.
Don’t forget to follow on Facebook > Brief Space
In what will go down as one of the longest and ugliest battles the Art Scene has ever known, John Graeter of Portland City Art (.org) has made it official tonight: his non-profit group is throwing in the towel. Portland City Art (.com) is victorious. Before we get to the festivities (which have been going full force since late Saturday evening when Graeter placed a phone call to our offices to privately concede), here is the official, unedited and unabbreviated concession speech directly from the losing camp’s headquarters.
Dear Artists, Art Patrons and Portland City Art supporters,
I have important news to share about Portland City Art [.org].
As many of you know, Portland City Art [.org] was officially started when founder Chris Haberman and myself joined forces in May of 2009. We began with modest resources, ambitious goals and a creative vision to bring Portland artists and the art community together in alternative venues that presented a refreshed, compelling and engaging environment for patrons and the greater public to experience and appreciate art. Our first large show, The Manor of Art, was a huge success by all accounts, and in retrospect, a voracious inaugural accomplishment and compelling representation for the creative vision both Chris and I had dreamed for Portland City Art [.org]. Amazed, inspired, bewildered (and exhausted) from the subsequent momentum that the Manor produced, Chris and I set forth a path for the upcoming year that proved to be equally as ambitious.
Joining forces with Administrative Director Andrea “Ray” Boyle in October 2009, and with the steadfast support of the city, our artists, our volunteers, community members and patrons, Portland City Art [.org] went on to produce and present several large community art events including: The Big 100 (with Jason Brown), The Love Show (with Ben Pink), Works IV, A Rainy Day Wildfire and the most recent PDX Bridge Festival Gallery Tour. During this time and since May of 2009, Portland City Art [.org] also continued to present and showcase local emerging and established artists in our monthly art shows at Olympic Mills Commerce Center, Eastbank Commerce Center, Water Ave Corridor Gallery, The Nest Lounge, The Limelight, Slinde & Nelson Lawfirm, Rumblefish Music, Accanto Restaurant and three spaces at Pioneer Place Mall. Since May of 2009, we are proud to have presented the work of over 800 Portland artists at each of these alternative venues!
Since February of 2010, upon Chris Haberman’s departure to pursue his own art career, the Portland City Art [.org] team has consisted of: myself as Creative and Executive Director, Ray as Administrative Director, hard-working volunteers, and the generous and notable assistance of art admin super-stars Dianna Fontes and Elizabeth Lamb. Still, many people asked us at our shows, “how many people does it take to produce all this work?,” and “how do you accomplish all this every month?” and “how do you sustain the operation of these huge events?” These valid questions, though vexing to answer in with any succinct one-liner, are ones that I have often asked myself the past year and half. There is no escaping the reality that the past year and half has been a tremendous personal investment and sacrifice for both myself, for Andrea, and all of our volunteers. As you can probably deduce, the amount of work and funds to sustain a monthly operation like Portland City Art [.org] is a particularly challenging accomplishment for a team of essentially two people.
This being said, I am sad to say that Portland City Art [.org] can no longer afford to continue our services and business operations, in the current format, after September. Though our events, art shows and mission has the proud vocal support of our Mayor, our commissioners and city, our artists, patrons, business partners and community members, we cannot sustain ourselves on only applause, praise and positive feedback. We face the reality of our production, employment and material costs which collectively constitute an enormous responsibility that can longer be financed or creatively alleviated.
Starting in October, I will personally continue to curate two of our venues, Slinde & Nelson and Accanto Restaurant under the name Graeter Art Rep. Portland City Art [.org] will officially be dissolved, and we will halt production of all events and art shows at our other venues. Please contact me at: firstname.lastname@example.org, if you have questions concerning any of the above.
I’d like to personally thank the hard work of our staff, our generous volunteers, our art patrons and supporters and especially my good friend, business partner and original founder of Portland City Art [.org], Chris Haberman. Last but certainly not least, I would like to once more thank the continued support of our tremendous local artists, to each of who has been an honor to work with, and to each who comprise the essence of Portland City Art [.org]’s vibrant mission. It has been an honor to work with you all, and I look forward to supporting your work for years to come.
Creative Director, Co-founder
Portland City Art [.org]
About a month ago, we tasked Portland area children with an after school assignment. Write a one page essay addressing a major misconception. Not one of them got the pun (as can be said for most of you as well) but our favorite was written by 9-year old “Kui Fucker”. Way to go, “Kui”, we think you have the makings of a future debate team member in high school. Enjoy that $8 bottle return slip from Fred Meyer’s, and try not to spend it all on toys or candy.
Send your child’s essays to email@example.com for automatic entry into our next contest.
John Cena. Not Gay.
I don’t think John Cena is gay because he does not bear hug his opponents in the ring. He just kicks ass.
Another important reason I don’t think he is gay. I watched a behind the scenes sneak peek when he asked one of the Divas to go on a date with him.
I would also like to put out there that my gaydar does not tell me he is gay.
To me John Cena looks like a Greek God, not a gay monster. I think if he were gay, he would probably have picked a more gentle sport than wrestling.
by “Kui Fucker”
Sources have confirmed that Jason Brown (Goodfoot bar operator, music and art venue coordinator) is set to receive emergency hair removal treatment at Legacy Emanuel Hospital in NE Portland this weekend for an ongoing problem he has had with tremendous uncontrollable facial hair growth.
According to friends and family Jason has been battling with this issue for several years now. Recently he sought treatment in North Korea with Doctor Hoo Long Wie where he was the subject of a new experimental ointment that was supposed to have reduced his hair length by almost half. Instead, the not yet tested on humans ointment increased his beard length and turned the hair a deep red while also stimulating hair to grow out of every pore on his face.
Reporters caught up with Jason as he left the Legacy Health Center for his first exam and he had this to say.
“ARRAGHHH HUMMM HUMM SHHSHHHH HUMMM SHH HUMMM BEEERGGHHHHHH HHUMMM SHHH!”
What exactly he wanted to get out is not yet known, but we expect to hear from him again as doctors at Legacy have promised a full recovery with a clean bill of health. Portland artists, friends, and family are keeping Jason in their prayers tonight as they all look forward to a new and more formidable man / curator after the surgery.
Several witnesses and Portland city officials were shocked when creative director for the well respected nonprofit organization Portland City Art (.org) was photographed in public with his alleged twin brother Twinky Simmins Graeter, a known fugitive and Anarchist of the Arts. Though John has been suspected for remaining in close contact with Twinky over the last few years no one in the art community has had solid evidence that the two were in cahoots until now.
What does this mean for Portland City Art, and the artists that it represents? The community website and resource arena was established to connect local creatives with arenas and audiences for their work in several venues within the Portland area, and the news that the newly christened figurehead is conspiring with Dirt Wing Extremists to undermine the efforts of his organization, and in fact, disconnect creatives and their audiences, has many reeling in disbelief.
Chris Haberman, former creative director and founder of Portland City Art (.org), was not available for questioning, but his sudden separation from the very organization he started has sparked rumors for weeks. When confronted with photographs and other proof of this deep rooted conspiracy, which may or may not extend all the way to City Hall, Portland City Art (.org) affiliated venues and their owners are beginning to question whether water is, in fact, wet. Artists stood by John, dismissing Chris Haberman’s choice to move on from the nonprofit as a personal one involving dysfunctional eating habits and questionable family distractions. According to local sources Chris was literally eating himself out of house and home, and food stamps, a steady welfare check, and a ring of midget “milk feeders”, was not enough to sustain his lifestyle, and well, it was time for this non-profiteer to focus on making some real money. Some “boo coo bucks”.
Charlie Alan Kraft, a once binding thread in the fabric of the Portland art scene, had this to say: “Man, I think I need a bra. These beers are weighing me down topside.”
John Graeter, a long time supporter of the arts and painter himself, was well known for cracking jokes after a few martinis about his uncanny resemblance to his brother while stroking his beard singing “I’m gonna grow this bitch ass hair, I’m gonna grow it, Boom! Boom! Boom! Curly, curly, cocoa mon.” John’s art touched many people here in Portland as well as….? Well, here in Portland, for sure. The Rose City’s art scene is literally torn in half today with one side mourning their betrayal at the hands of our city’s greatest scribbler (John Graeter likes to scribble), while another half clenches their ass cheeks in rage over the deceit and lies spread through this wonderful community. How that tears them in half, this writer has no idea. It actually sounds like they are on the same page, but that’s Portland for you.
Questions do remain, however, will Graeter continue to pursue art here in Portland? Will Twinky Graeter disappear again leaving us all in fear for our lives? Will John end his charade of lies and hang up his secret identities? With all the secrets out, his “twin brother” Twinky, his well groomed man of daylight disguise Ships Donavon (who was recently found prowling local middle schools enlisting children for his art in residence programs), the entire cast of characters that can all be traced back to one megalomaniac man in the moon mirror, John Graeter, what will come of the artists that rely on his organization for strategic wall placement? Only time will tell. As more details come in, we here at Portland City Art (.com) are committed to bringing you the latest, the Graetest, and all the news in between. At least until the cease and desist letters from the Mayor’s bloodhounds actually hold up in court, or Chris Haberman finds a hitman in our fair city willing to work for Cheese Puffs to take us down. Until then, fair citizens, rest easy and keep your eye out for creepy bearded guys with glasses made to see right through you. It just might be John Graeter, aka The Real Life Riddler.
The Portland art scene was rudely awakened from a Pabst Blue Ribbon induced slumber early this morning by a shocking development that has insiders scratching their heads in disbelief: Steve Elliott has traded Charlie Alan Kraft to Chris Haberman in exchange for one sincere compliment. The Bad News Bears are no more.
Inspired by the recent Philadelphia Eagles trade of superstar quarterback Donovan McNabb to the Washington Redskins for a draft pick, Elliott felt it was time for a change as well.
“That Eagles trade was like the writing on the wall for me. If they can send a guy who is arguably 100% responsible for their long run of success to a hated, bitter rival, well, why not send Charlie over to Chris? I wouldn’t say he has been a good friend, or even that he will be missed, but he has been a great guy to brainstorm with, bounce ideas off of…
“Nah, really we just hung around on barstools burning through our unemployment checks together. He’s played a huge part in the non-success of Portland City Art (.com), and it won’t be the same without him, for sure. No matter how bad you fuck things up, you can’t help but feel good about yourself when he’s around. Still, though, as the Eagles demonstrated, sometimes you just have to shake things up and start over. I think he will do more harm than good for Haberman, in the long run, and by the end of the year I think you will see that it was a pretty smart fuckin’ move. Who else can say they’ve received a sincere compliment from Habe?”
Charlie Alan Kraft, a founding member of Portland City Art (.com), issued the following statement:
“You know, Steve is a smart guy and everything, and he bought me a lot of beers in the past few years, but I gotta admit, I’m looking forward to getting out of this whole false negativity thing, and getting back to Haberman’s brand of false positivity. I mean, it’s all bullshit right? Might as well make it sound good. Not to mention, there is always plenty of food to go around with Chris. The only time Steve ever fed me, I was sick with food poisoning for a week.”
Chris Haberman, founder of Portland City Art (.org), was unavailable for comment at the time of this writing, but a key insider from Team Haberman (who asked to remain anonymous) filled us in on the biggest mystery of all: What was the compliment that Elliott received in exchange for Kraft?
“Chris told Steve straight up that he really liked the way he wore slacks. There was direct eye contact, it was for real.”
So how will this trade shape the Portland art scene in the coming months? Will Haberman and Kraft be able to put the last few years of venomous animosity behind them and break bean burritos together? Will Elliott be able to find a new conspirator crazy enough to help him realize his plans of working without doing any work, and/or pissing everyone off? Only time will tell, but for now, keep your browser tuned to Portland City Art (.com) for all the latest, greatest, and most heinous happenings in the world of Portland art.
Even though you are all a bunch of morons, we decided (from the beginning) that the best thing for everyone involved in the Portland art scene is to allow ANYONE and EVERYONE to write for us. That is why we have always been open to the public. All you have to do is register, and walla, you can write articles. Some of you figured that out from the beginning, but many of you have not have figured it out, and instead incessantly whine about what is written. If you have always wanted to write for a website that gets traffic every day without even trying, follow these simple steps:
1. click ‘register’
3. write a damn article already
We won’t edit you, censor you, or kick you out. Seriously. Enjoy, Portland. It’s not that hard.
Good evening, Portland! Salvia Darling here, coming to you live from the side of the Willamette River. I would tell you which side, but as heartache starts to become a widespread epidemic amongst my young, female anchor-groupies, I have set my cloaking device to engage.
This just in! the Mayor could stand to lose some weight! The Mayor was spotted recently at a Jenny Craig seminar, and was thought to be there to rally support in the overweight female community, [censored by Salvia] Adams-haters. Just before this photo was taken, he asked the Ladies of Craig if his pants made him look fat, to which they unanimously laughed and [censored by Salvia]. I know it looks like those are his hands on his hips, but if you look close you can tell it’s actually flabby hip-meat protruding upwards. If you look really close you can see the fishing wire. Looks like somebody’s been using the elevator!
This just in! Portland Police carry guns! On Monday, March 22nd, Portland police shot an unidentified white man (sic) to death. (for those of you that need further explanation of such a fantastic event, he was homeless) Apparently, the man was [censored by Salvia] and [censored by Salvia] people at Washington Park, and when officers arrived he approached them with a razor blade, cutting his own [censored by Salvia]. The tragic thing is, a homeless guy finally gets his hands on a shaving device, and the cops shoot him for it. This is an example of Portland’s impenetrable class system at work, hey homeless guys, the powers that be in this fair city would like you to stay in your [censored by Salvia] and keep washing those windshields. Put down your razor blades, and your bars of soap. You will always be second class citizens in the Rose City. Get used to it, or get shot several times.
This just in! Caligula was an interesting person! This just in! Corey Haim was also an interesting person! Inside joke, but who isn’t interesting in this day and age? We all have camera crews following us around, we all have hair and makeup people taking care of our appearance. We have press secretaries, personal assistants, bodyguards, producers ringing the phone off the hook day and night… Underage groupies ready to bang. No wait, that’s just me.
This just in! Salvia Darling has five teenage chicks to bang tonight and only two rubbers! You do the math, people. Do I keep using the first one until it breaks, and then go with the backup, or do I bareback the three that seem the most clean, and hope for a timely pullout? Think of it like a story problem, what’s the answer to Salvia’s riddle Portland?